VERDENSROMMET | history

HISTORY   Verdensrommet was founded in March 2020, being a pandemic-native initiative, to address the precarious conditions of Norway-based visual artists whose citizenship led them to slip through the state’s support net. Later, this was expanded to include all creative professionals of non-EU/EEA backgrounds sharing similar experiences.   For the past one and half years,Continue reading “VERDENSROMMET | history”

CARE DAY | Ecology of Care

please use arrows for image slider Care Day is a continuation of an intimate practice-based research started as a part of Culture for Solidarity in June 2020 by Ecology of Care (Sofia Cartuccia, Djuro Grdinic, Lina Issa and myself). Back then, we built a collective methodology that now serves as a ground for further exploration on current social urgenciesContinue reading “CARE DAY | Ecology of Care”

CIVIL IMPOTENCE & ART | on Peru’s new political turmoil

written by Rodrigo Ghattas-Pérez I must start this writing by acknowledging, and helplessly admitting a cynical and adventurous blend [for the purpose of this writing] of the political views of five of my must-read authors: Peruvian intellectual, essayist and poet Sebastián Salazar Bondy; Canadian writer and activist AK Thompson; French novelist, pro-revolt, and political activistContinue reading “CIVIL IMPOTENCE & ART | on Peru’s new political turmoil”

TRACING YELLOW | The Swing & The Bench

The Swing & The Bench is an art intervention, more precisely, a documentation event. A final experiential setting to revisit, one-on-one, three projects (the Tracing Yellow series) previously developed in the city of Oslo. The audience attending the MFA Grad Show at KHiO (Oslo National Academy of the Arts) in 2018, had the opportunity to engage inContinue reading “TRACING YELLOW | The Swing & The Bench”

COLECTIVO INICIATIVA CIUDADANA – DIÁLOGO CIUDADANO | ep.66 identidad vs colonización cultural desde el arte urbano

Coach Renzo Cárdenas entrevista a Rodrigo Ghattas, máster en gestión del arte y espacio urbano, artista visual independiente, organizador de artes comunitarias, con raí­ces peruano-palestinas. Quien desde Noruega, en su práctica artí­stica, explora la inteligencia colectiva comunitaria, la escultura relacional, y las prácticas de cuidado-mutuo y atención multidireccional en el espacio público. Además, es co-fundadorContinue reading “COLECTIVO INICIATIVA CIUDADANA – DIÁLOGO CIUDADANO | ep.66 identidad vs colonización cultural desde el arte urbano”

RESOURCE DOCUMENT | on non-EU artists’ immigration, covid-19 & professional life

written by Rodrigo Ghattascommissioned by UKS (Unge Kunstneres Samfund) The economic implications by the Coronavirus outbreak has severely hit the already precarious situation of many artists in Norway, in particular non-European artists. Most exhibitions, projects, art residencies, and other artistic and cultural events have been cancelled. Leaving the artists with no source of income. ForContinue reading “RESOURCE DOCUMENT | on non-EU artists’ immigration, covid-19 & professional life”

MACHAQMARA | Civic Art House

We are working hard to ensure that Peruvian artists continue to thrive and work in the aftermath of a world’s pandemic that has placed us all at a crossroad. Machaqmara Civic Art House proposes the first social housing project for artists in the country, located in Punta Negra district in Lima. Artists, like everyone else,Continue reading “MACHAQMARA | Civic Art House”

THE UNION | open call

The Union is offering an artist-in-residence program Hjemmefra/low-residency for Norway-based visual artists working or wanting to stop working in various creative fields to stay at home and to engage in non-creation, non-production, non-thematic and non-research residency activities. The residency will offer an intimate space for reflection at the intersection of art and life practices.   TheContinue reading “THE UNION | open call”

READING TIME | here we come and we don’t care mucho

Here we come and we don’t care mucho, it seems to be a good phrase to describe the internal force that drives the society in which we live nowadays; every time I get on the bus, walking the streets or a good song randomly plays from my Spotify playlist, I force myself to take aContinue reading “READING TIME | here we come and we don’t care mucho”

READING TIME | in conversation with Svein Bjørkås

If I recall correctly, I was sitting in the dining room of the Clarion Hotel The Edge during the second day of the KORO conference Offentlig kunst og byutvikling in Tromsø¸. I remember I was feeling heavy, I couldn’t manage to revive my body at any point that morning. I put some fish and saladContinue reading “READING TIME | in conversation with Svein Bjørkås”

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